If you’ve ever watched Planet Earth or any of the BBC’s many other nature programs, you’ve seen an expository documentary. An expository documentary is designed to inform and educate the viewer. It explains concepts about our world differently from the way in which an observational, or participatory film handles a story. Show
An ‘Objective’ AccountAn expository documentary is a form of documentary film – a documentary mode – that purports to give an objective account of people, places, and events – almost always with the use of spoken narrative. The term comes from the American film critic Bill Nichols, who distinguishes five other documentary modes:
These styles have different approaches to creating meaning. Each of these styles aims to convey something about the world through different means. Expository documentaries are based on information presented in an explanatory way. The term “exposition” means “to explain” or “to describe,” which makes sense because documentaries usually aim to educate viewers about a particular topic or issue.
In addition to documentaries, the expository mode is often used in news programs, factual programs, and historical dramas. The main reason for this is to try to provide viewers with an evidential argument to convince them of a certain point of view. The Devices Used By Expository DocumentariesThere are some common features of expository documentaries that you’ll quickly recognize once you’ve seen a few of them. First, they’re usually quite long. This is due to the amount of time it takes to explain the story the film is trying to convey to the viewers. Second, they’re usually very educational in their format and structure. This is because they try to build their arguments around the information. And finally, they usually use narration to do so. Here are some of the key identifiers you can use to tell if a film is expository:
Is There Any Such Thing As Objective Documentary Film?Given the nature of expository documentaries, it’s important to emphasize that they aren’t neutral, objective representations of reality. Their perspective is clearly biased. This is because all films are products of human perception, and documentaries must be viewed in this context. This means that they’re primarily concerned with how the audience might interpret the content of the film. Every single decision that a filmmaker, or even a team of filmmakers, makes is a subjective decision. Starting with the choice of participants and shots, to the choice of lighting, camera angle, and music.
That said, documentaries sometimes try to portray an event or phenomenon as truthfully as possible. In 1999, I was involved in the production of a 104-minute documentary called A Cry From the Grave. The film is a powerful indictment of the Srebrenica war crime, committed by Bosnian Serb forces under the command of General Ratko Mladic in 1995, as the Bosnian war was coming to an end. Although the film definitely does not shirk the job of condemning the massacre, exposing the guilty, and honoring the victims – and therefore makes a judgment on what happened – it does tell the story blow-by-blow in as ‘factual’ a manner as possible and was careful to include different perspectives and testimony. So, was it an expository film? Absolutely. An ‘objective’ film? Honestly, no. The Expository Mode Is the Dominant Form of Documentary FilmmakingOnce you start telling a complex story in a documentary, especially if there’s little footage of the actual people or events, you have to deal with exposition. Because anything else is a kind of cinematic navel-gazing that ultimately serves no one – neither the filmmaker nor the audience. And least of all to those who actually experienced the events of the story that the documentary depicts. This is perhaps why many documentary filmmakers gravitate toward expository narratives – from nature films to historical films to crime films to films about current events. The expository documentary usually takes a subject and uses interviews, archival footage, and other media to present information about it. Some Examples of Expository Documentary Films
Expository documentaries are popular because they give viewers relevant, informative details about a topic in a short amount of time. In other words, they’re great for learning something new! The Way Narrative Works in Expository DocumentaryA documentary presents a nonfiction topic through narrative stories with facts, information, or interviews. It may follow a linear story or jump around within the topic. The overall strategy is to provide the viewer with information and context to help them better understand the topic. For example, a documentary on human trafficking might tell the stories of trafficking victims while explaining what human trafficking is, how people get involved, what happens when they do, and how people can stop trafficking. Why Expository Films Are Regarded as TraditionalExemplary documentaries are similar to what some people call traditional documentaries because they provide an overview or profile of a particular topic.
The downside is that it can be more difficult to bring an expository documentary to life on screen than in other “modes” such as participatory mode or observational mode films. In some ways, a compelling expository documentary is a much more challenging form of filmmaking! The editing decisions on visual interpretation have to be every bit as subtle. Less Reliance on Personal ExperienceExpository documentaries differ from observational documentaries in that they don’t rely on direct personal experience or observational narratives to portray the subject. Nevertheless, the filmmakers’ personal experiences and knowledge provide the background for how and why the film is made in the documentary style it is. Documentaries are made out of passion. So you can be sure that the makers of the film or series have strong feelings about the subject they’re exploring or the person they’re interviewing. This affects not only the entire film but also the individual scenes and sequences within it. A viewer watching a documentary shouldn’t only take away new knowledge, but also a clear understanding of how the documentary filmmaker feels about that knowledge.
Which of the following is an example of archival material in a documentary film?Archival materials include old photographs, newsreel footage, and even shots from fiction films.
What is the purpose of persuasive documentary film?Documentary films are also rhetorically persuasive in that they help to organize public perception. Documentaries are persuasive because they invite audiences into a secret world, event, and story.
What helps distinguish documentary films from other types of films?Documentaries adopt no fixed inventory of techniques, address no one set of issues, display no single set of forms or styles. Not all documentaries exhibit a single set of shared characteristics. Documentary film practice is an arena in which things change.
Which of the following people introduced narrative storytelling into filmmaking?Arrival Of A Train At La Ciotat (The Lumière Brothers, 1895) – The First Narrative Film. The first narrative film was created by Louis Lumière in 1895. His brother, Auguste, invented the cinematograph camera in 1894.
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