Left: Show
Brooch, c. 1850 Purse, 1841 Right: Scarf, c.
1830–50 Day cap, 1840s Eyeglasses, 1830–40 Pin, c. 1820–50 Housewife, c.
1830s Shoes, 1842 journal article Toward a Theory of RomanticismPMLA Vol. 66, No. 2 (Mar., 1951) , pp. 5-23 (19 pages) Published By: Cambridge University Press https://doi.org/10.2307/459586 https://www.jstor.org/stable/459586 Read and download Log in through your school or library Read Online (Free) relies on page scans, which are not currently available to screen readers. To access this article, please contact JSTOR User Support. We'll provide a PDF copy for your screen reader.With a personal account, you can read up to 100 articles each month for free. Get StartedAlready have an account? Log in Monthly Plan
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Journal Information PMLA is the journal of the Modern Language Association of America. Since 1884, PMLA has published members' essays judged to be of interest to scholars and teachers of language and literature. Four issues each year (January, March, May, and October) contain essays on language and literature; a Directory issue (September) lists all members and the names and addresses of department and program administrators; and the November issue presents the program for the association's annual convention. Each issue of PMLA is mailed to over 29,000 MLA members and to 2,900 libraries worldwide. Publisher Information Cambridge University Press (www.cambridge.org) is the publishing division of the University of Cambridge, one of the world’s leading research institutions and winner of 81 Nobel Prizes. Cambridge University Press is committed by its charter to disseminate knowledge as widely as possible across the globe. It publishes over 2,500 books a year for distribution in more than 200 countries. Cambridge Journals publishes over 250 peer-reviewed academic journals across a wide range of subject areas, in print and online. Many of these journals are the leading academic publications in their fields and together they form one of the most valuable and comprehensive bodies of research available today. For more information, visit http://journals.cambridge.org. Rights & Usage This item is part of a JSTOR Collection. journal article Comparative Literature Vol. 1, No. 1 (Winter, 1949) , pp. 1-23 (23 pages) Published By: Duke University Press https://doi.org/10.2307/1768457 https://www.jstor.org/stable/1768457 Read and download Log in through your school or library Purchase article $15.00 - Download now and later Purchase a PDFPurchase this article for $15.00 USD. Purchase this issue for $26.00 USD. Go to Table of Contents. How does it work?
Journal Information Comparative Literature welcomes articles that explore important issues of literary history not confined to a single national literature. We also encourage submissions that address significant problems in literary theory. Our editors and editorial board are sympathetic to a broad range of theoretical and critical approaches. Publisher Information Duke University Press publishes approximately one hundred books per year and thirty journals, primarily in the humanities and social sciences, though it does also publish two journals of advanced mathematics and a few publications for primarily professional audiences (e.g., in law or medicine). The relative magnitude of the journals program within the Press is unique among American university presses. In recent years, it has developed its strongest reputation in the broad and interdisciplinary area of "theory and history of cultural production," and is known in general as a publisher willing to take chances with nontraditional and interdisciplinary publications, both books and journals. Rights & Usage This item is part of a JSTOR Collection.
Which of the following best explains why the major European sea powers vied for control over the Atlantic?Which of the following best explains why the major European sea powers vied for control over the Atlantic in the 1700s? European states increasingly imported luxury goods such as sugar and coffee from the Americas.
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Which of the following best explains why the religious revival of the late eighteenth century is seen as consistent with the development of Romanticism?
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